what happens when one reads Trump’s words as poetry

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(Image from Titles from Poems Donald Trump Wrote While in College – Stone Slide Corrective)

It’s often interesting to see what breaking politician’s words down into poetry does to our reading of them. Here’s an article on the latest book to do this to Trump’s own: 

‘The best words’: Trump may be a poet without knowing it – Agence France-Presse – The Telegraph – May 11, 2017

“Among the choice bits turned to poems in the book [Make Poetry Great Again by Chris Felt] are words about his daughter that Trump said around 10 years ago.

‘I have said

if Ivanka

were not my daughter,

perhaps

I would be dating her’

“Felt said the words may be ‘terribly macho, pitiful and confusing but when the quotations have space around them I see other facets of him'”.

Dailies 5/4/17: ” I never met Donald Trump but I sure have been grabbed by the you-know-what” & a kindred spirit & Water Street & a grand mal seizure

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Khadijah Queen – I never met Donald Trump but I sure have been grabbed by the you-know-what

I NEVER MET DONALD TRUMP BUT I SURE HAVE BEEN GRABBED BY THE YOU-KNOW-WHAT & I really don’t even want his name in my book & I almost didn’t tell this story but sometimes it’s important to name names & the luxury of fame is that it doesn’t matter what a nobody says if you have

Read rest of poem 

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Carrie Shipers – Kindred Spirit

My father doesn’t say ghost, though I know
he’s haunted. Instead he says, When they let
Uncle Marion out of that hospital, he didn’t
even move the same. He said they tried to take
his stories. He loves his fifteen uncles fiercely.
Nearly all of them drank, did time in prison
or mental hospitals, died before forty.

Read rest of poem 

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Lawrence Joseph – Water Street

Nothing between us and Brooklyn Bridge
seen from our windows—on the other side of Pearl,

Dover is Frankfort, along the Bridge towards
City Hall—Governors, Staten, Liberty islands,

Read rest of poem 

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Molly McCully Brown – Grand Mal Seizure

There’s however it is you call,
& there’s whatever it is
you’re calling to.

Read rest of poem 

 

“Civic poetry is ascending”

“Civic poetry is public poetry. It is political poetry. It is about the hard stuff of life: money, crime, gender, corporate excess, racial injustice. It gives expression not just to our rites but also to our problems and even our values; these poems are not about rustic vacations.

“Civic poetry is ascending. It has asserted itself in recent years in the form of poetry slams and, of course, political rap, but now it is rising again on the page….” 

-Alissa Quart – Political Poetry for Our Times: We shouldn’t give up on poetry, if only because we need a different public language to describe our country.Bill Moyers and Company – 3/31/17

NY Weeklies: The Tavern Parlor, I love wine! & HOT TUB AFTER SKIING, DECEMBER, 2016

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Jill Bialosky – HOT TUB AFTER SKIING, DECEMBER, 2016

We were cold. All day we were cold.

We thought of bitter gods (hard not to think of gods

so close to the heavens) and were frightened.

The mountain is divided. On one side the sun spilled its brilliance.

Read rest of poem 

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Sandra Simonds – 8. I Love Wine!

 

Today, omg, I’m just so spaced out and splendid
 ———-as I walk this earth without death, without an apron,
without being a wife and so my queer heart transforms into the nostrils of a
 —–winter
——workhorse whose exhalation breaks through the iced tulip sky.

Read rest of poem 

 

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Danielle Chapman – THE TAVERN PARLOR

A giant step up into the dip—

the unavoidable tremble of cocktail tumblers

against bottles of bourbon and bitters

droning the spitoon.

Read rest of poem 

Dailies 3/13/17: America, lobsters, the Afterlife, & something moving crabwise across the snow

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Andrew Motion – Fog in Naskeag Harbor

 

1.

When we had done our business with the lobster-man
choosing our dinner from dozens of creatures packed
in a fiberglass tank in his garage, their pincers pinched
in plastic bands but all visibly sensible and frustrated,

Read rest of poem 

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James Allen Hall – Afterlife

We’re not from here. We don’t aria, we warble.
We wore suits to get here, rumpled by the hot car ride.
Pumped our own gas. In Heaven two days,

still the custom shirtlessness offends.  Like it’s the g-d
French Rivera. (You say it yours.  We’ll say it the right way.)
Nor do we au revoir. We eat without speaking, hunched over

Read rest of poem 

 

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Maxime Kumin – The Presence

Something went crabwise
across the snow this morning.
Something went hard and slow
over our hayfield.

Read rest of poem 

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Dean Rader – America, I do not call your name without hope

America, I do not call your name without hope
not even when you lay your knife
against my throat or lace my hands
behind my back, the cuffs connecting

Read rest of poem 

“Make America great again” Golden Shovel poems

imgresMary Schmich, a columnist from the Chicago Tribune, took inspiration from Terrance Hayes’ new “Golden Shovel” poetry form & asked her Facebook followers to create poems using the words “Make America great again.” She admits that “None of these verses will wind up in an anthology of the world’s greatest poems, but they remind us that in politics and poetry, words are what you make of them.”

Take the ‘Make America great again’ poetry challenge – Mary Schmich – Chicago Tribune – 3/10/17

“Here’s how the form works: Pick a line from a poem. Then write your own poem, using one word of the borrowed line as the last word of each line of yours. Keep the words in order.

“It’s time we make

This place we call America

Not just great

But good again.

“See how it works? Read the last word of each line and you get ‘Make America great again.’

” It’s not always easy to feel sympathy for an artist with a trust fund and whose family have their own graveyard. “

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Robert Lowell at 100: why his poetry has never been more relevantLowell’s confessional work of the 1960s marked a sea change in American letters – then he fell out of favour. But on the eve of his centenary, his work offers an urgent political message in a time of Trump – Max Liu – The Guardian – 3/1/17

“Today, Bishop’s popularity is soaring while Lowell’s has waned. Seamus Heaney once attributed this to Lowell’s background and the “orchestral crash” of his verse: “Lowell was a white Anglo-Saxon Protestant male, a Eurocentric, egotistical sublime, writing as if he intended to be heard in a high wind.” It’s not always easy to feel sympathy for an artist with a trust fund and whose family have their own graveyard. But Lowell knew he was privileged, and the beauty and specificity with which he describes his world creates space for the reader to reflect on their own experience. His writing may even have subtle political messages for our times; the poet Claudia Rankine, who cites Life Studies as an influence on her groundbreaking 2015 work Citizen: An American Lyric, sees in Lowell’s book “a struggle with … the construction of whiteness”.

“…Lowell was consistently at odds with the US government, serving jail time as a conscientious objector during the second world war, rejecting an invitation to the White House in 1965 to protest Lyndon Johnson’s foreign policy, speaking at the March on the Pentagon in 1967.”

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